ACT II
Scene I
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(The curtain opens on a cigarettes shack a side walk where Faddel's photo and the medal are hung. There is a song from the radio. There are some papers, sweets and a sign saying "The Hero's shack" Fatma is standing with Abdu.) |
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Fatma |
(Calling out ) We have sweets and cigarettes. |
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Abdu |
Come nearer. Sweets and cigarettes. |
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Fatma |
Thanks, Mr. Abdo. We have caused you much trouble. |
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Abdu |
Your trouble is my ease, Mrs. Fatma. You're like a sister and Faddel is my brother. |
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Fatma |
By God, Faddel always praises you. |
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Abdu |
This Faddel is a hero |
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Fatma |
Don't you say that you, too, crossed the canal in 1973? |
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Abdu |
Right. |
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Fatma |
And what, if you don't mind, made you work as a porter? |
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Abdu |
After I had come back from war, they rewarded me and appointed me as an errand boy. |
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Fatma |
What do you mean an errand boy |
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Abdu |
An errand boy is a delivery boy. He takes papers from one office to another. |
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Fatma |
I got it. Is this the job the government had found you? |
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Abdu |
Where is Mr. Faddel? |
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Fatma |
Went is Mr. Faddel? |
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Mahrous |
What's this? What's this? (Enters) a dirty shack in front of my building and on my side walk. |
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Fatma |
The Hero's shack. You sightless Effendi. |
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Mahrous |
Who's this girl, Abdu? |
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Abdu |
(Getting confused) This…. |
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Fatma |
I'm Fatma |
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Mahrous |
Fatma who? Whose daughter? |
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Fatma |
Fatma daughter of Salem Abu Soliman. |
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Mahrous |
Salem Abu Soliman. I don't know him. |
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Fatma |
Yours is a bad day. How come you don't know him though I remember seeing you before. Where did I see you? Where? |
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Mahrous |
Abdu. |
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Abdu |
Good morning! A happy morning, sir |
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Mahrous |
It's a tarred morning, a sooty morning. How did this shack come here? Who built it? |
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Fatma |
It was built yesterday. I built it along with Faddel and your brother Abdu. |
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Mahrous |
My brother Abdu! (Gets disgusted) Abdu. |
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Abdu |
Yes, your excellency. |
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Mahrous |
How dare you commit this terrible deed |
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Fatma |
Why are you attacking us this way? |
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Mahrous |
How are you build this shack here? |
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Fatma |
I have already told you. I made it with Faddel and Mr. Abdu. |
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Mahrous |
How wonderful! |
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Fatma |
Thanks |
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Mahrous |
Then what? |
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Fatma |
A gallant man… Hero of the October war. |
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Mahrous |
By God! |
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Fatma |
They appointed him an errand by may God punish them- after he had crossed the canal and walked through fire and killed so many enemies. You don't know what an errand boy is. It means a delivery boy papers and stuff among offices. Do you see what heroes in our country work as after the war? Either errand boys or porters. I remember when we were at war. As children we used to sing "Your son tells to bring him morning, hero" We used to call them Egypt heroes, watch them inside cars and applaud them. After they get out of cars, we make them work as porters errand boys and conductors. Does this make sense? |
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Mahrous |
Are you giving me a political picture? To whom does this shack belong, Abdu? |
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Fatam |
Faddel |
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Mahrous |
Faddel who? Who would he be? |
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Fatma |
Stop. Don't you dare insult my husband. I know you. |
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Faddel |
(Enters) Peace on you. (Looks at Mahrous) What's the matter? Incredible. Is it the famous professor Mahrous Shaelelha? |
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Mahrous |
Do you know me? |
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Faddel |
The journalist professor, Mahrous Shaelelha. I'm one of your biggest fans. You're widely knowing, professor. I used to the newspaper every day during the liberation war in order to read your articles and watch you on T.V every day. You have 20 respectable suits, right? |
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Mahrous |
Thanks, son. (Gives him a pound) |
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Faddel |
Thank you. And your words.. Your words are so sweet. Knowledge, understanding, wit and depth. Professor Mahrous Shaelelha.. It's on old dream of mine to meet you. |
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Fatma |
Really! |
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Mahrous |
Take this pound as well, son |
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Faddel |
May God save you |
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Fatma |
What's this? Are taking money from him? |
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Faddel |
Sure I do. He's my friend. People's friend. He's professor Mahrous Shaelelha |
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Fatma |
What does Mahrous Shaelelha mean? What would he be? Just another journalist no more no less. |
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Faddel |
Shut up! (Hits her) |
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Fatma |
Do you hit me because of him? |
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Mahrous |
Bravo! You're a good boy. Take another pound. |
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Faddel |
No (then he takes it) |
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Mahrous |
You and Abdu remove this shack from here. |
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Faddel |
What shack? |
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Mahrous |
This woman's shack |
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Faddel |
It isn't hers. |
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Mahrous |
Yes, know it belongs to…. |
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Abdu |
(To Mahrous) Please sir, leave the shack to poor people. |
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Mahrous |
You would not be a good porter after this woman had deceived you with a couple of words. But this boy is very good (Pointing at Faddel) He can take your place, Abdu. |
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Fatma |
They will give you a porter's job, too. |
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Mahrous |
I'm free to give him any job I like. |
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Fatma |
A porter instead of Abdu, the good man. |
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Mahrous |
None of your business. He is an excellent boy and I'll give him any job I choose. |
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Faddel |
You know that except for professor Mahrous's articles the war would have never taken place. We used to open our eyes on him in the newspapers and sleep with his voice in our ears. He is the writer of "Hit them and comfort us, Bush" article. |
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Mahrous |
Take another pound, boy. You deserve it. You're a good boy who knows my articles by heart. Come on. |
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Faddel |
Come on what? |
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Mahrous |
Remove the shack |
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Faddel |
Are you kidding? |
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Mahrous |
No, I am not. |
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Faddel |
But what's your problem with the shack anyway? |
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Fatma |
Ask him |
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Faddel |
Does this shack in its present place here hurt you? Does it pinch you somewhere? |
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Mahrous |
I live in a quiet high-class street. The shack will gather jobless kids. |
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Faddel |
I won't gather jobless kids, sir. I run after my bread. |
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Mahrous |
What has this got to do with you? Remove the shack together with Abdu. |
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Abdu |
Your excellency…. |
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Faddel |
Mr. Shaelelha.. this shack is mine. |
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Mahrous |
Yours. Yours will be removed. |
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Faddel |
Are you kidding or talking seriously? |
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Mahrous |
Of course I'm serious. |
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Faddel |
Pardon me, does this street belongs to your father. Its name is Shaelelha street? |
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Mahrous |
Keep your limits. |
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Faddel |
(In a loud voice) It belongs to the government. Right or wrong? |
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Mahrous |
Yes, it does |
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Faddel |
I'm the son of the government. |
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Mahrous |
Whose son are you, boy? |
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Faddel |
The government's son. Weren't you Broad-casting "Egypt, your sons will free the land after every speech of yours? |
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Mahrous |
Yes. It's radio talk just like songs. |
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Faddel |
I believed you and the radio. |
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Mahrous |
Let the radio give you a permit. |
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Faddel |
The radio gives me a permit? |
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Mahrous |
Yes. Here's the radio (Pointing at it) make it give you a permit. |
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Faddel |
Are you feverish or did you lose your mind? Take the three pounds you've given me. |
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Mahrous |
Four pounds. |
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Faddel |
You remember them, you cunning Shaeleha. Here the fourth pound. |
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Mahrous |
It is not allowed to build a shack in the street unless you have a permit from the government. |
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Fatma |
Here's the permit. (Presenting the medal) |
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Mahrous |
What's this? |
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Fatma |
Not enough for you? Look here, too. (Presenting the journal) |
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Mahrous |
A medal and a journal. I'm asking you where is the permit? |
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Fatma |
This is better than the permit. |
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Mahrous |
(Copening his wallet) Take ten pounds, my son, and remove the shack. |
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Fatma |
No, we're not leaving. Were staying on the government's property. |
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Mahrous |
Don't make me use force with you (He threatens to lick him). |
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Faddel |
You'll hit me because my leg is injured. Not, by your life, I can beat you. |
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Fatma |
By God, we'll show anyone who lifts a hand against us. |
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Mahrous |
Call the police, Abdu. |
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Abdu |
Forgive them, sir. |
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Mahrous |
Call the police and tell them Mahrous Shaelelha wants wants you to come at once. |
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Abdu |
Please, sir. |
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Mahrous |
Have him remove this shack from opposite our building to the other street. |
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Faddel |
How is your street so different from others? What's so special about it? |
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Fatma |
We thought it is a quiet and good street. |
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Employee (1) |
(Enters) Good morning. Where is the owner of this shack? |
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Faddel |
Me. |
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Fatma |
Me. |
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Employee (1) |
You two? |
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Together |
Yes |
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Mahrous |
Kick them out of here, sir. I'm Mahrous Shaelelha the political reporter. |
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Employee (1) |
I don't know you |
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Mahrous |
Don't you read newspapers? |
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Employee (1) |
No. |
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Mahrous |
But you watch T.V |
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Employee (1) |
No. |
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Mahrous |
Who are you? |
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Employee (1) |
I'm the representative of the labor office. Who are the laborers here? |
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Faddel |
What laborers. We don't have a restaurant or a cafeteria. This is a shack, |
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Fatma |
Look here brother. This is the medal. My husband Faddel took it from the president. He's the hero of the liberation war. |
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Faddel |
And this is Abdu, hero of October war who destroyed 50 tanks. |
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Abdu |
Welcome |
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Faddel |
(To the employee) What about you? |
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Employee (1) |
I'm hero of the withdrawal retreat. |
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Faddel |
What? |
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Employee (1) |
I with drew in 1956, with drew in 1967 but got squeezed into the hole in 73. |
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Mahrous |
The war is over now and peace has come. The global system must dominate the society. |
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Employee (1) |
Owner's name? |
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Fatma |
Faddel Abdel Samie. |
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Employee (1) |
Fees for lack of permit and lees for not hanging a sign for opening and closing dates. |
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Fatma |
What are all those fees? |
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Employee (1) |
I have to take it out on you because I was not victorious like you. Another fee for the journalist Mahrous Shaelelha. Peace on you. (Exits) |
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Fatma |
The fees mean that we are on the government's side. |
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Mahrous |
Look son. It isn't easy to open a shack in a street especially the street I live in. |
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Faddel |
Why was it son easy them when I was at war fighting? Where were you when I was there surrounded by deserts from every direction? Where were you, Professor Shaelelha? You were at the T.V saying hit them, brother. Fight, brother for it is the liberation war. You were in an air conditioned place and your car is air-conditioned, too. Speak up. It was easy enough for you. |
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Mahrous |
Each fights from his on position. |
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Fatma |
What does this mean? Where did you fight? Be specific. |
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Mahrous |
I fought with my pen. |
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Faddel |
Your pen! Cunning boy! No wonder I saw planes falling off the sky as I sat in the battlefield. When I asked why these planes were falling, boys, they said it's professor Shaelelha's pen. |
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Mahrous |
Are you making fun of me, boy? I'll show you. You will see. (Exits) |
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Abdu |
Professor Mahrous. Just wait a second. (Runs after him) |
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Fatma |
Don't say boy. (Enters Employee (2) ) |
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Employee (2) |
Where's the shop owner? |
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Faddel |
Me |
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Employee (2) |
Where are the scales? |
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Faddel |
What are the scales for? |
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Employee (2) |
Aren't you a seller? So, you have to have scales. |
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Fatma |
Pardon, but who are you? |
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Employee (2) |
I belong to the ministry of supplies. |
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Faddel |
I didn't buy scales. |
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Employee (2) |
Fees for selling without scales. |
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Faddel |
Oh, boy. The ministry of supplies has nothing to do but my scales. Why me? The loaf is not the right weight, correct? Tea bags are not the right weight, correct? I think the ministry has to give each one scales to weight his stuff. |
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Employee (2) |
Where are your scales? Get them out and ship the idiot show. |
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Faddel |
I don't have scales, Fellow. |
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Fatma |
We don't have scales, brother, because we sell nothing with scales. So, we do not need them. |
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Employee (2) |
No, you'll need scales for sure. Every shop has to have scales. |
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Fatma |
Find us scales to buy in your own way, brother. |
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Employee (2) |
Hold this (Writes in a paper) This is a fee you'll pay because you don't have scales. (Exits. Enter Abdu and Mahrous) |
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Mahrous |
I reported you to the public utilities police and they should be on the way. |
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Abdu |
Removal people, son, are no the way. Leave. |
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Policeman |
(As he passes by) peace on you. |
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Mahrous |
Sergeant! Sergeant! |
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Policeman |
Yes. |
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Mahrous |
Pill this shack down. Pull it down at once. |
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Policeman |
What are you saying, sir? I have nothing to do with pulling down. I have a mission to do. |
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Mahrous |
I'm telling you to pull this shack down and to arrest this fellow. |
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Fatma |
Arrest him, sergeant. |
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Faddel |
This man thinks he's above the government. |
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Fatma |
This man is so arrogant, sergeant. |
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Faddel |
Arrest him and I'll reward you. |
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Policeman |
Stop it all of you. I want to know what the matter is? |
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Abdu |
It's simple uncle No fel. |
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Policeman |
As long as it is simple, I'm leaving. |
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Mahrous |
Stop where are you. |
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Policeman |
(Salutes) At your service, sir. Are you a general. |
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Mahrous |
I'm neither a general nor an officer. I'm Mahrous Shaelelha. |
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Faddel |
Damn the weird world. |
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Mahrous |
Are you insulting me? |
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Faddel |
I said the weird world. |
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Policeman |
Then, what? I want to know what is it all about. |
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Fatma |
I'll explain to you, brother. Do you see this medal? |
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Policeman |
Lovely! What about it? |
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Fatma |
It belongs to Faddel |
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Faddel |
Me. |
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Policeman |
Wonderful! |
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Fatma |
Your brother Faddel got it from Mr. The President hero of the liberation war. Do you see this journal? This is Faddel's photo with the President. |
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Policeman |
(Holds the journal) A thousand congratulations, Faddel. I hope I could get one, boys. |
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Faddel |
Thanks. I wish he'd give you one, too. |
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Policeman |
I wish I could get a medal like this and a photo like this so that I could be proud in font of my children and grandchildren. |
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Mahrous |
You'll be friends and unify against me or what? I'm telling you to pull down the shack on him right away. |
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Policeman |
Have you got a removal order, sir. |
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Mahrous |
This boy has no lience. |
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Faddel |
I have a license fee which is a license. |
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Mahrous |
This boy stands against the district, the government and metropolitan Cairo. |
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Faddel |
I've become metropolitan Cairo's problem. |
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Mahrous |
If anything is stolen, he'll be responsible. |
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Fatma |
You're the thief because you stole us with your words. |
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Mahrous |
Shut up. I'm not leaving you here another minute. I'll call the minister of Interior at once and I'll be back. (Exits. Abdu follows) |
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Abdu |
Enough your excellency. Come back |
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Faddel |
(To the policeman) The minister of the Interior is my
friend. He greeted me when I was with the president and said "You raised
our heads up high, Faddel" and patted my shoulder. |
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Policeman |
Tell him about my problem, Faddel. |
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Faddel |
Do you have a problem with the ministry? |
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Policeman |
Yes. |
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Faddel |
Tell me. Don't be shy. The minister is my close friend. |
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Policeman |
I have been in the service for thirty years now without getting a single promotion. I should be a petty officer but I'm what I'm. |
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Faddel |
Simple. We'll make you a petty officer. He's a close friend of mine. Look at his photo here standing with us and with president. All together. All heroes. The citizen, the minister and the President in the photo. (Sound of a police car siren) |
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Policeman |
The patrol is here. |
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Faddel |
The minister must have sent for me. Right, Fatma? |
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Fatma |
You're the hero of all heroes, brother. |
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The officer |
(Enters the patrol officer) Where's he? |
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Faddel |
(To the policeman) Tell him, uncle Nofel. Explain to him. Who am I? |
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The officer |
What is it soldier? |
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Policeman |
Sir. |
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The officer |
Where's he? |
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Policeman |
Here he is. (Painting at Faddel ) |
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The officer |
What's your exact story, boy? |
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Faddel |
Answer him, uncle Nofel. Officers always insult you. Answer. |
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Policeman |
The matter is, sir. |
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The officer |
You shut your mouth. I asking him. What is your story, boy? And who is this girl? |
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Fatma |
Don't say girl. I'm lady Fatma wife of the hero Faddel Abdel Samie. Don't say boy. |
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Faddel |
Are you listing. Don't call me boy. I'm a hero. |
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The officer |
Hero of what, may the prophet be praised? |
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Fatma |
Hero of the liberation war. He was crossified there and got a medal from the president. Here… Here's the medal. (Enters Mahrous and Abdu) |
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Mahrous |
(To the officer) Mr. Brigadeer, this boy must leave at once and this shack has to be pulled down immediately. |
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The officer |
Listen boy have you got a liscnce from the district? |
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Faddel |
No. |
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The officer |
A lisence from the utility? |
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Faddel |
I have what is greater than these. |
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The officer |
What have you got? Don't say the medal and journal. |
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Faddel |
I have God. |
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The officer |
We all have God. I'm not joking with you. |
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Faddel |
Why are you jealous of me? Why do you envy me? Did you take the president's medal? |
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The officer |
No. |
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Faddel |
Take a photo with the president? |
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The officer |
No. |
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Faddel |
Take a photo with the president? |
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The officer |
No. |
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Faddel |
Fight with the friendly and brotherly countries? |
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The officer |
No |
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Faddel |
Then, why do you compare yourself to me just as (George Sambo)? |
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The officer |
Who's Geroge Sambo? |
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Faddel |
An American Soldier. He was with me there and he used to say he would give me an American cigarette and hit me no the back neck. I used to tell him to give me the cigarette and I hit him. |
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The officer |
These are the orders, son. |
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Mahrous |
The officer is making a surprise attack. |
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Faddel |
Surprise attack (Laughs) I know it. This is a kind of food they call surprise attack because we attack the food with our bare hands with no mercy. But George Sambo ate hamburger, soft drinks. They really spoilt this American boy, Sambo. He tacks his food to give it to me and he didn't smoke but foreign cigarettes, eats foreign food and even his language was foreign. I taught him Arabic. But each time I asked him why we do not eat the same and smoke the same, he said it was orders. |
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The officer |
I'm sorry Mr… what's your name? |
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Faddel |
Faddel Abdel Samie |
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The officer |
I'm sorry Faddel. I have to pull down the shack you've built. |
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Mahrous |
At once, please, at once. |
|
The officer |
All right. All right. |
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Faddel |
Mahrous said pull the shack down at once. Aren't you the one who said hit them on T.V every day. Come on hit them on hit them our hero soldiers.. down inside and outside the country. |
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The officer |
I have to pull down the shack. Get your things together. |
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Faddel |
I want my mother. My mother will preserve my rights before you pull down. |
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The officer |
Who's your mother, boy? |
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Faddel |
The International court. |
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The officer |
Is there a woman called the International court? |
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Faddel |
Mr. Mahrous used to say " our heroic soldiers, your mother is the International court and your father is the New Global System. Right? |
|
Mahrous |
This boy tells silly jokes and he has gone so far. |
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The officer |
I really have to pull the shack down, Faddel. Get away. One, two, three. ( soldier attack the shack, black out, the scene changes into the T.V Building from the back way. Saffya stands with a camera and a mic) |
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Saffya |
Dear audience, we are now in a program called "For no Reason" The camera is in the street by the door of the T.V building. We might run into any of the famous artists. We will ask him where he is going and what's new in his life. |
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Kuki |
(A belly dancer passes quickly) Good morning. |
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Saffya |
Mrs. Kuki. Mrs. Kuki the famous artist! |
|
Kuki |
Good morning. How are you, honey? Your program was beautiful. The public café, wasn't it? |
|
Saffya |
No, the public café isn't mine. |
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Kuki |
Strike me, I mean cinema club. |
|
Saffya |
Not mine either. |
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Kuki |
Strike me. I thought it's yours. Pardon me. I opened a new casino in El Haram street and came to invite our fellow artists. You're invited of course. |
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Saffya |
It'll be an advertisement, Mrs. Kuki. |
|
Kuki |
Why an ad, honey? You are always like this, suhair. |
|
Saffya |
I'm not suhair |
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Kuki |
You're Affaf, then. Strike me. |
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Saffya |
Nor Affaf. I'm Saffya Mahmoud. |
|
Kuki |
Yes, Saffya Mahmoud sister of Aly Mahmoud. |
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Saffya |
Who's Aly Mahmoud. |
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Kuki |
Aly Mahmoud, the composer.. and Aly Mahmoud the spice-dealer and Aly Mahmoud the actor. Oh, I'm only joking. Strike me. (Faddel and Fatma appear in the background. They are heading to the information Employee) |
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Employee |
Yes, Mister |
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Faddel |
Do you work for the government? |
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Employee |
Yes. |
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Faddel |
The first one in the government to call me mister you don't belong to this part of the country? |
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Employee |
Yes, what can't I do for you? Finish. |
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Faddel |
Tell him, Fatma. |
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Fatma |
This the hero Faddel Abdel Samie. He came to meet Mrs. Saffya Mahmoud, the announcer? |
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Employee |
Mrs. Saffya Mahmoud, the announcer? |
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Fatma |
Yes, brother. May Allah never delays your business with the government. |
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Faddel |
May you get higher ranks in the government and become very big. |
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Employee |
Have you got permission? |
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Faddel |
What permission? I'm a hero. Look (Gets the medal out) |
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Employee |
This information. We are not the complaints office. |
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Faddel |
Be careful of mistaking a word here or there with your sphinx moustaches. |
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Fatma |
Does sphinx have moustaches? |
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Faddel |
He shaved it off for what he had seen I must see Mrs. Saffya. |
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Employee |
Kick him out. (Two security men throw him out) |
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Faddel |
Take your hands off me. Leave me alone. (The two men collide with Saffya and Kuki) |
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Fatma |
(Finding her) Save us, Mrs. Saffya. |
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Saffya |
What? Who are you? |
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Faddel |
I'm the son of the court and the new Global system Faddel Bush and president, Faddel Abdel Samie. |
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Fatma |
We were at the hospital. Didn't you call me Fatma, wife of the hero? |
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Faddel |
Remember the medal here. (President the medal) |
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Fatma |
And the journal here. (Presents the journal) |
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Saffya |
Stop shooting, Mostafa. |
|
Cameraman |
O.K. |
|
Kuki |
(Goes to the cameraman) Do I look good, Mostafa? |
|
Cameraman |
Real good, Mrs. Kuki. |
|
Faddel |
We suffered much, Mrs. Saffya. |
|
Fatma |
They broke our shack into pieces, Mrs. Saffya. |
|
Kuki |
How pitiful? Do you know those good people, Susu? |
|
Saffya |
This hero of the liberation war. |
|
Kuki |
His wife is so pretty. Turn around so that I can see your shape, young lady. |
|
Fatma |
What's wrong with you. Lady? Do you kidnap women? |
|
Kuki |
Never. She's so sweet. Haven't you seen me in the movies. I'm Kuki the belly dancer of the cinema and theatre. Is this your husband? |
|
Fatma |
This is my husband. |
|
Faddel |
Should I turn around, too, lady? I might work as a belly dancer. |
|
Kuki |
Were you in the liberation war? |
|
Faddel |
Yes. I used to get in with the militia to smuggle weapons for the resistance. |
|
Kuki |
Incredible! |
|
Saffya |
Shoot these words, Mostafa. Repeat them, Faddel. |
|
Faddel |
I'll repeat and repeat so that everyone could hear. I used to get in with the militia to smuggle weapons for the resistance. |
|
Kuki |
(Dances and sings) I'm the genea boy who is never at ease. I go up bussing, come down bussing. (The scene shifts to Kuki casino. A cigarettes shack in the casino. It is nighttime) |
|
|
(Fatma is standing in front of the shack singing) |
|
Kuki |
(As she enters) Good morning. |
|
Fatma |
Good morning. |
|
Kuki |
Aren't you going to listen to reason and come work with us, Fatma girl? |
|
Fatma |
I understand nothing about dancing and such things, Mrs. Kuki. |
|
Kuki |
Suit yourself honey. Strike me if I ask you to come work with us again. |
|
Fatma |
May Allah save you, Mrs. Kuki for making us this shack. No policeman and no officer and those who come, leave at once. They should elect you minister of poor people like us. |
|
Kuki |
Where's Faddel. |
|
Fatma |
He is gone to buy some scented herbs to scent the casino and the shack. |
|
Kuki |
May Allah save him. Excuse me honey. (Enters) |
|
Badre |
(Enters an Arab youth in his twenties wearing a T-shirt with Bosh's picture and American Flag and a hat. He is drunk) have you got cigarettes? |
|
Fatma |
I have Cleopatra. |
|
Badre |
Foreign cigarettes. |
|
Fatma |
I'm afraid not brother. |
|
Badre |
(Notices her beauty) do you know to cook? |
|
Fatma |
Yes brother. |
|
Badre |
You know how to arrange the house well? |
|
Fatma |
I could arrange ten houses. Why asking? |
|
Badre |
Well. Well. I want you to come to my house every day from morning till noon. |
|
Fatma |
I do not understand. |
|
Badre |
Why don't you? I'll give you five hundred pounds a month. Com on. |
|
Fatma |
I don't understand why you will give me 500 pounds a month, brother |
|
Badre |
You'll come to my house to clean It and to serve me. |
|
Fatma |
Wrong address, brother. I'm Fatma wife of Faddel the hero. Do you see this medal? |
|
Badre |
Yes, I see it. |
|
Fatma |
Faddel got it in the liberation war in your country. |
|
Badre |
Who's Faddel? |
|
Fatma |
Faddel, my husband. |
|
Badre |
Are you married? |
|
Fatma |
Yes, I told you Faddel was in your country. Where are you from, brother? |
|
Badre |
From the liberated country. |
|
Fatma |
Welcome. |
|
Badre |
Welcome yourself. |
|
Fatma |
My husband Faddel was there. |
|
Badre |
And I was here. (Laughs) |
|
Faddel |
(Enters) what's this? Laughing with a strange man? What a shame! |
|
Badre |
I'm no stranger. |
|
Fatma |
He's from the liberated country. |
|
Faddel |
You're from the liberated country? Liar. I haven't seen you there. |
|
Badre |
Here's the passport. |
|
Faddel |
Strange! I was there. Where were you? |
|
Badre |
I was here. Shedding blood instead of tears. |
|
Kuki |
(Exits) Faddel. Faddel. |
|
Faddel |
Yes. |
|
Kuki |
How are you doing, Badre? |
|
Badre |
How are you, Mrs. Kuki? |
|
Faddel |
Do you know Badre. |
|
Kuki |
Has been planted here for years. |
|
Faddel |
Here, where? |
|
Kuki |
Here at the bar. |
|
Faddel |
Shame on you! Crying blood, he said. From the liberated country by name but I was there. |
|
Badre |
Will lecture me? You are there, I'm here. I'm there, you're here. |
|
Kuki |
Come inside Badre. |
|
Badre |
I want this girl to come clean and cock for me. |
|
Kuki |
This, honey, is Faddel's wife. Come inside. Come (Pushed him to get into the casino) Listen Faddel. |
|
Faddel |
Yes. Do you want me to clean and wash for you, too? |
|
Kuki |
No. I want you to go to Musky at this address and drag the drum man by the collar. |
|
Faddel |
There, I used to carry guns and deliver orders and plans and here, I fetch a drumer. |
|
Kuki |
There, it was war, honey, and it's over. So wake up. Any way, I was wrong. Strike |