Ainu House
The Shiraoi Ainu Museum, also called Porotokotan, is one of Hokkaido's better Ainu Museums. Ainu culture and lifestyle is shown in an outdoor reproduction of a small Ainu village and inside a conventional museum building. Several performances, such as traditional Ainu dances, are held throughout the day.
In 1997, a new law was passed which provides funds for the research and promotion of Ainu culture.
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Scholars
have advocated various theories about the origin of the Ainu people. The
theories include the Caucasoid (Caucasian) Theory, the Mongoloid Theory,
the Oceania Race Theory, the Old Asian Race Theory, and the Solitary Race
Theory. Some scholars have recently advocated the following hypothesis
into which the Mongoloid Theory has developed. Mongoloid peoples once
were of two types : Southern Mongoloid and Northern Mongoloid. Before
the Jomon Period (several tens of thousands of years ago), the Southern
Mongoloid started moving northward and settled the Japanese archipelago,
including Okinawa, over a long period of time. Later, the Southern Mongoloid
played a major role in the Jomon Period throughout Japan. However, in
the Yayoi and Tumulus Periods, the Northern Mongoloid came across the
sea to Japan in great numbers. The ethnic Japanese (non-Ainu) are the
people who have evolved rapidly through the strong influences of these
migratory processes. On the other hand, the Ainu in Hokkaido and the Tohoku
region and the Ryukyu people in Okinawa are the ones who have hardly affected
by this process.

The language of the Ainu bear-worshippers of Northern Japan has generally
been considered a language-isolate, supposedly being unlike any other
language on earth. A few researchers noticed a relationship with languages
in south-east Asia, others saw similarity with the Ostiak and Uralic languages
of northern Siberia. The Ainu look like Caucasian people, they have white
skin, their hair is wavy and thick, their heads are mesocephalic (round)
and a few have grey or blue eyes. However, their blood types are more
like the Mongolian people, possibly through many millennia of intermixing.
The Ainu are a semi-nomadic hunting and fishing tribe but also practice
simple planting methods, which knowledge may have been acquired from the
newcomers. The invading people, under their Yamato government, called
them the Ezo, the unwanted, and forced the Ainu in fierce fighting to
retreat north to the island of Hokkaido. The name Ezo likely is an abbreviation
of the Basque word ezonartu (to disapprove of) The Ainu are a people with
a cultural and racial background which is different from that of the ethnic
Japanese. They have been populating Hokkaido, northern Tohoku, the Kurile
Islands and Sakhalin, but today only a small population remains mainly
in Hokkaido.
According to one of several theories, the Ainu are descendants of Mongoloid
migrants who entered the Japanese islands before the Jomon period. They
were later displaced and assimilated,
when the ethnic Japanese expanded their territory northernwards.

The Ainu people originally did not have an alphabet. Therefore, they have
orally transmitted literature such as tales, legends, experiences, and
morals for everyday life from generation to generation.
" Yukar" are the tales of heroes. They are also called "yayerap,"
"sakorpe," or "haw" in some areas. Yukar are called
"hawki" in Sakhalin. The hero is an orphan boy called by various
names, including "Poiyaunpe," "Pon-shinutapkaunkur,"
"Pon-otasamunkur," and " Yayresupo," depending on
the area. The narrator of yukar sits at the fireside and recites the adventure
stories of this boy all night, beating the fireside with a stick called
"repni. "
In some stories, the heroes are men ; in others, they are gods whose appearance
resembles men. In a story in which heroes are gods, gods with such names
as "Aeoynakamuy," "Ainurakkur" and "Okikurmi"
descend from the heavens to the human world and experience various dramatic
events with man. In the lburi and Hidaka districts, such stories are called
"oyna." However, in other areas, such stories are included in
" kamuy yukar" as described below.
The
Ainu people originally did not have an alphabet. Therefore, they have
orally transmitted literature such as tales, Iegends, experiences, and
morals for everyday life from generation to generation.
" Yukar" are the tales of heroes. They are also called "yayerap,"
"sakorpe," or "haw" in some areas. Yukar are called
"hawki" in Sakhalin. The hero is an orphan boy called by various
names, including "Poiyaunpe," "Pon-shinutapkaunkur,"
"Pon-otasamunkur," and " Yayresupo," depending on
the area. The narrator of yukar sits at the fireside and recites the
adventure stories of this boy all night, beating the fireside with a
stick called "repni. "
In some stories, the heroes are men ; in others, they are gods whose
appearance resembles men. In a story in which heroes are gods, gods
with such names as "Aeoynakamuy," "Ainurakkur" and
"Okikurmi" descend from the heavens to the human world and
experience various dramatic events with man. In the lburi and Hidaka
districts, such stories are called "oyna." However, in other
areas, such stories are included in " kamuy yukar" as described
below.
Stories in which heroes are "natural" gods such as animal
ones are called "kamuy yukar. " The narrator recites animal
gods' experiences with morals, repeatedly inserting words called "sakehe
" between phrases.
The oral literature of the Ainu is not only "recitative" as
described above, but also "narrative uepeker " which is usually
translated as, "an old tale," is called "tuitak"
in some areas and "uchashkuma" in Sakhalin. Although uepeker
is translated as an old tale, it is not a fictitious one but a real
one with experiences of those who lived in olden times. Tales called
"ikopepka" or "upashkuma" more closely resemble
legends than do those called "old tale."
" Yaysama" is oral literature in which a woman sings an impromptu
song of her emotions. Most words have been handed down from generation
to generation. This is why it can be said to belong to oral literature.
Compiled by: Glenn Welker
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